Monday, February 28, 2022

4. The Animals of Farthing Wood

By Colin Dann 

The Animals of Farthing Wood is a classic 'animal journey' tale.  When the forest known as Farthing Wood is in danger of being destroyed by greedy developers, the animal inhabitants have no choice but to leave, but where?  

 

It’s clear from the get-go that author Colin Dann is an animal lover and conservationist.  As a reader, your heart breaks for the animals when the man-made machines arrive to raze their beloved forest.

All day the bulldozers crashed forward on their path of destruction. Shrubs, young trees and undergrowth fell before the cruel onslaught of the monsters’ greedy steel jaws. Old trees, stately and dignified with age, were mercilessly machined down by vicious saws. Yard by yard the forest fell back before the human despoilers; and, crouching in their burrows and tunnels, or huddled in the remaining tree-tops, or cowering under the bracken, the animals of Farthing Wood listened, shuddering, and longed for darkness.

 

Since it’s an animal story, Dann gives his main characters a dominant personality trait that befits a particular species, but over the course of their journey, a few of the key characters learn to overcome their individual flaws and work together for the good of the whole.

 

Toad is the one who discovered a nature reserve when he made his back home after he escaped from a kid’s jar and convinces the animals of Farthing Wood to make the long journey to White Deer Park.  Toad is kind and resilient, but he tires easily.  Badger is practical, gentle and respected by all the animals.  He’s the one who called upon all the animals to assemble inside his largest burrow, which he dug out for the occasion.  He chooses Fox to lead the motley group on their journey as he’s intelligent, courageous and a natural leader.  I think it’s also Badger who establishes a pact so that predator and prey will promise not to harm one another during their journey (they’ll hunt or gather food outside of their own party).

 

Tawny Owl and Kestrel serve as scouts as they fly ahead to pick the safest routes for the travelling group.  Although T-Owl is wise, he’s also quite pompous and tries to mask his fragile ego, which Adder sees through and is quick to poke fun of.  Adder starts off as the aloof and cynical outsider, as befits a deadly snake, but later ends up helping the animals when they’re in a tight spot.  However, my daughter will be sorely disappointed to find the rabbits are typecast as rather hysterical, timid creatures who at one point puts the group in grave danger.

 

As expected, the animals encounter many adventures and pitfalls as they make their way across various landscapes.  Their first danger was caused by a negligent human tossing a cigarette, and the animals end up being trapped inside some blazing woods.  Through quick teamwork, they’re able to help each other over to a small thicketed island in the middle of a large pond and hide while firefighters eventually put out the fire.


There are, of course, observations about humans from animals that are rather obvious, but can be overlooked in a children’s book.

    ‘All this damage and horror was caused by one foolish human,’ said Toad. ‘And all of it has to be put right by these others of his kind who had no hand in it.’

    ‘They’re certainly a strange species,’ agreed Badger. ‘I never pretended to understand them.' 

    As the animals watched the flames gradually diminishing under the efforts of the firefighters, many of them felt, for perhaps the first time, an unusual kinship with the humans who shared their desire to see the fire, their mutual enemy, quenched.  Yet this kindship, they each understood, was to be short-lived. For as soon as the fire was finally overcome, the very present of the humans at such close quarters posed a new problem for their freedom. As long as the mend remained on the other side of the causeway, the animals’ safest escape route was blocked.

Published in 1979, The Animals of Farthing Wood has strong pro-environmental messaging that’s hard to ignore. Even back then, it was critiquing the mass monoculture farming that has taken over the small, traditional farming methods of old. 

    Once again they found themselves surrounded by farmland—only this farmland was different from any they had seen before.  There were no hedgerows dividing the fields, no thatched farm cottages and no ancient lopsided barns.  Everything was conducted in this area in a far more calculated, professional manner. Vast expanses of cereals and root crops grew mathematically in unbordered squares, without a wild flower or grass showing its head, even in corners. All unnecessary plants had been totally cleared away, and the field ha a cold, clinical look about them which seemed unnatural.  The few trees that still existed were giants which had proved, in this cost-obsessed world, too expensive to move, and so they remained.

   … Animals—farm animals, that is—could be heard cackling or grunting to each other, but they were never seen.  It seemed they had all been shut away in the long, low concrete and steel outbuildings that were prevalent.  In the over-heated interiors they were probably quite unaware of the existence of lush green grass spread with buttercups, or blue sky, or the fresh feeling of a shower of rain. 

It doesn’t end there.  It’s not just “soulless farmland” the wild animals found themselves in, but something more sinister, even apocalyptic.  It was a land of death, despite being surrounded by so many crops.  Tired and hungry, they were tempted to eat some vegetables, but Kestrel and Tawny Owl soon figured out that the farm was full of poisonous chemicals.  Even the nearby orchard was littered with the bodies of bullfinches and blackbirds. In another field, they encountered more bodies, even earthworms and bees were impacted.  The animals discuss among themselves the contradiction inherent in humans -- if they are so clever, why would they consume the foods that are themselves full of poison?  I wouldn’t be surprised if Dann was influenced by Rachel Carson’s Silent Spring.

 

Yes, there was some loss and a lot of hardship in their adventurous journey, and thankfully there was a happy ending.  Most of the animals who left Farthing Wood made it to their destination and were welcomed by the inhabitants of White Deer Park.  And naturally, the only kind of human worth revering is the nature-loving scientist.

   ‘My friends,’ [Toad] said in an awestruck tone, ‘that is a Naturalist.’     

    …’Strange to say, there are some humans who are interested in the welfare of wild creatures,’ the heron explained.

   ‘It’s these very people we have to thank for White Deer Park,’ Toad pointed out eagerly. ‘It is they who are responsible for the creation of those havens for wildlife they call Nature Reserves.’    

   ‘It’s only when you learn of such kindness and interest in us creatures,’ said Badger, ‘that you recall that the human race is, after all, a brother species.’        

The Animals of Farthing Wood was an enjoyable book, but I wouldn’t put it in the same category as, say, Mrs Frisby and the Rats of Nimh, which was much more subtle and effective in its messaging AND a fun read.  I’m glad Olman found this book, and that there’s an entire series as well as a TV adaption.  And I think our kid is at the right age to appreciate this book.                                                                 

Saturday, February 05, 2022

3. A Head Full of Ghosts

By Paul Tremblay  

Olman ordered a bunch of books during the 2020 pandemic, and very thoughtfully got me Monster, She Wrote.  This was how I heard of A Head Full of Ghosts, which I noted down as being heavily influenced by Shirley Jackson.  However, Goodreads gave it mixed reviews, so I didn’t make a move to acquire it for many months.  

Last Xmas holiday, during my ten-day stay with the in-laws, I realized I had not stepped foot inside Dark Carnival at all!  On my last day, I went in to browse but didn’t find anything. The only thing I was semi-interested in was the new release, My Heart Is a Chainsaw (whose author Tremblay also name-checked in his liner notes), but I wasn’t ready to commit to a hardback.  Then our flight got delayed due to me testing positive!  As I was isolating in the carriage house, I saw on the internet that a film adaptation of A Head Full of Ghosts was in production.  I was able to get tested again the next day and I was negative (I never had symptoms and the home test kits also gave me a negative result), so I can only surmise that the first test was a false positive.   But I’m glad we only had to delay our flight by one day.  

After I got my negative result, I decided to call Dark Carnival just to ask if they (well he, the owner) had A Head Full of Ghosts.  Sure enough, he did.   I went over there 10 minutes later sporting my N95, a copy was sitting on top of a tall stack of paperbacks in front of Jack, the taciturn owner (I had to ask my MIL his name when I got back, as she'd been consciously cultivating a first name relations with him over the years!).

And miracles of miracles, when I was buying the book, Jack actually initiated a conversation with me!  

He started with an approval of sorts, “I heard good things about it.”  (I assumed he meant the book that I was purchasing from him.)

He continued, “Don’t know about that awful cover though. Trying to be from the 70’s or something, like it's trying to be all, uh…”

“… Evocative?”, I offered.

“Yeah, and that photo looking all…”  He trails off again.

“Overexposed?", I volunteered.

He merely nodded.

I said thanks and parted ways.  And that was my interaction/transaction with Jack, the owner of Dark Carnival.

When I started reading A Headfull… back in Montreal, I didn’t pay the cover much attention.  Like Jack, I didn’t think much of the bleached out, contrasty image of what looked like the staircase of an old house.  After I’d finished the book, I realized that the image was rotated sideways.  I turned it to the correct position, and it now looked like the stairway and landing of the Barrett family house.  I thought that was kinda cool. 

Overall, A Head Full of Ghosts was a nicely written, engaging horror story.  Tremblay set up the situation well and the relationship between the sisters was believable, as well as the POV of youngest family member Merry.  The build up of tension and atmosphere of impending doom was done well.  And I liked that the supernatural factors were kept ambiguous.  In the end you don’t know if Marjorie was possessed by a demonic entity, and/or had psychic abilities and/or if she was only a normally gifted person suffering from schizophrenia.  

Unusually, the author wrote an afterword citing all kinds of pop culture references that influenced his novel, including extended “liner notes” or “DVD extras”.  What a treasure trove!  Obvs, Shirley Jackson was revered as the biggest influence.  I mean, the narrator’s nickname was Merry, a direct homage to one of my fave literary characters in We Have Always Lived in the Castle.

Not only that, Tremblay and couple-authors, Cox and Langan, founded and continue to administer the Shirley Jackson awards.  This guy is a real serious SJ fan and horror aficionado.

Tremblay also brought up Session 9 as a brilliant and underrated horror film.  Serendipitously, not long after I finished A Head Full.., Olman read a twitter post that also listed Session 9 as an underrated film horror fans should watch.  After having watched Session 9 together (in late March), I saw how Tremblay took inspiration from the open-ended ambiguities there, too.

Tremblay also name dropped older contemporary peers, Clive Barker and Peter Straub.  I now remember, to my dismay, that I no longer possess the 1984 paperback volumes of The Books of Blood (which featured Barker’s illustrations on the cover).  I can’t remember how I came to have them, but I was young, like still in high school.  When the old Central VPL was on Burrard & Robson, I remember going to a Clive Barker reading of The Great and Secret Show, and having him sign my hardcover copy of Weaveworld (I read the library copy of TG&SS and was disappointed by it). So based on this memory, I must have acquired The Books of Blood as a teenager.  And got rid of them several years laster when I was moving around in Vancouver, stupidly thinking I had ‘outgrown’ them.  And of course, Straub's Ghost Story was a memorable read.

But it’s not all horror, horror, horror in Tremblay's liner notes.  He also cited Kids in the Hall and Richard Scarry as influences.  I liked how the sisters bonded over their collaborative “reading” of Cars and Trucks and Things that Go, and how even an obsession with Goldbug and Officer Flossy could somehow be made creepy.  

Some minor flaws however.  The Last Final Girl blogger, Karen Brissette, made me cringe.  Her writing was so juvenile and eye-rollingly bad.  I thought Tremblay was trying to write in the style of a somewhat naive 20-something female, but after reading his liner notes and ‘The H Word: the Politics of Horror’, his “personal” writing style IS kinda like that!  He just amps it up for the Karen Brissette character.

Although I greatly appreciated Tremblay listing all his influences and references, as I had some cool books to add to my ever expanding reading list, the act of doing that also kind of trivialized the integrity of the fiction.  Maybe I’m a traditionalist, but for me, it took away from what should have been a self-contained universe.  Tremblay naming all his characters and basing some of their physical traits after his author friends, the novel came across more of an exercise or a self-referential game than a story that held personal meaning.  For a fun self-referential exercise, it was still an enjoyable experience.  Would definitely watch the film adaptation if it comes out.