By Walter Tevis
“I like writing about people who are somewhat outcasts from society. … Highly intelligent, out of place characters. I like to write about alienation.” -- Walter Tevis
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The quote was from the Ringer article Olman had sent me not long after the Netflix series debuted, and it sealed my decision to read the book first.
I even ordered it from my local bookstore D&Q along with some Christmas books for my kid and began it immediately after The Stand. I finished in 5 days. Right up there with Mary Katherine Blackwood from We Have Always Lived in the Castle, Beth Harmon has become one of my favourite literary characters.
I was extremely glad of my decision to read the book before watching the show, which I also enjoyed tremendously. I wanted to compare the series to the novel, not the other way around. But since I would never have read this book were it not for the Netflix series, this is more like a comparison than a review. Though I was pleased by how the series remained quite faithful to its source material, there were some notable differences I observed:
************* MAJOR SPOILERS AHEAD **************
The series shifted Beth’s age one year later, so Beth learned chess from Mr Schaibel at 9 instead of 8; and she had her first chess tournament at 14, not 13. Makes sense in the show, cuz Anya is quite ta-aaa-all.
The Netflix version of Beth Harmon still embodied Tevis' Beth Harmon at heart, but her character has been made more relatable, self-assured and socially adjusted than her literary counterpart. The Netflix Beth Harmon was also more glamorous and fashionable, although both versions shared an appreciation for high quality clothing.
Anya Taylor-Joy has a voluptuousness that was not
evident in the literary version (in the show, a Russian chauffeur made a comment that Beth looks like Ann Margret). In contrast, Trevis’ Beth Harmon was described as quite plain-looking with brown hair although she does grow up "good-looking" by the time she runs into Townes in Las Vegas. I envisioned Beth to be a Carey Mulligan good-looking instead of an Ann Margret good-looking, y'know what I mean?
The series provided intermittent flashbacks of Beth’s biological mom and fleeting recollections of her father. It also hinted and later revealed that the car accident was meant to kill both mother and daughter. The source material did not indulge in flashbacks, though I can understand why the show would do so. The series also fleshed out Alice Harmon's background ie. she had a Ph.D in Math at Cornell, thus Beth inherited her mom’s gift.
Alma Wheatley’s background also got fleshed out in the series, ie. she was a concert pianist before her early career was cut short by an accidental pregnancy, which explains why she was stuck with her bitter, resentful husband. Her character comes across as less pathetic compared to the book, which portrayed Mrs. Wheatley as a superficial but kind-hearted person. She was another counterpoint to Beth’s character, as Alma was someone who could’ve made something of herself had it not been for her loser of a husband. The series doesn’t reveal what happened to Alma's biological child, however.In Beth’s first tournament in Kentucky, the man at the registration booth has been transformed as college-aged twins in the series; at first disdainful of Beth but later became her biggest fans; she ran into Mike and Matt in later tournaments and they developed a nice camaraderie, which I thought was a nice touch. The series did a stellar job portraying the registration scene where Beth learns about ratings, the U.S. Open, etc from the patronizing twins, as well as the excitement and newness of her first tournament.
The series also did a nice job in the casting of Townes, a handsome, charismatic chess player -- the only man that Beth pined after. Unlike the book, which portrayed their fleeting relationship in a more nuanced way, the show amped up their sexual tension when Townes invited Beth over to his Las Vegas hotel room. This was not in the book but just when you thought Townes was going to make a move, a man entered the room to get dressed for the pool, strongly implying that Townes was gay.
The series version of Benny Watts was an amalgamation of the rough-hewn yet articulate beatnik chess bum with a knife that Beth encountered at her 2nd tournament in Cincinnati and a skinny white guy, whereas in the book, Benny was a more typical-looking chess player (just a skinny white guy). I wasn’t so keen on this, but I understood why the series wanted to do it this way.
The Netflix Vasily Borgov has the authoritarian scowl down, but he's much more distinguished looking than the novel version: "a short, heavy man, not unlike a gorilla himself, with jutting brow ridges, bushy eyebrows..." The only common factors are the "coarse, black hair and impassive look." Still, the actor who plays Borgov was well cast.
The series also beefed up all of Beth’s female relationships which all provided various counterpoints:
Margaret, Beth’s former high school bully became an unhappy housewife saddled with babies who also had a propensity for liquor.
Ann Packard, who was Beth’s first opponent at the Lexington tournament, became a pre-med student, making a pilgrimage to see a burned-out Beth defend her championship years later.Benny’s very striking friend,
Jenny, became Chloe in the series, a French model-cum-vagabond. Unlike the source material where Jenny only made one appearance in NYC, Chloe reappeared in Paris and was partly responsible
for Beth’s bender the night before her final match against Borgov.
In the novel’s portrayal of the
Paris tournament, Beth was stone-cold sober and “played beautifully” but she
was still defeated by Borgov. In the
series, Beth was hungover from her bender with Chloe, arrived late for her final
match with Borgov (something that the book version of Beth would never have done) and constantly drank from her water glass throughout the
match due to dehydration. She would hesitate before
moving her pieces and a tear fell from her left eye as she resigned. I felt the show unnecessarily over-dramatized this
scene and much preferred the original version.
In the series, Harry Beltik’s farewell was much more gentle compared to his cold and sudden departure in the novel. In
the book, Beltik was portrayed like a jilted lover, and never seen again; in the
series, he remained a concerned friend who keyed into Beth’s pill addiction and alcoholism.
In the novel, after realizing
how isolated she was, Beth reached out to Jolene, whereas in the series, Jolene
made a dramatic appearance at Beth’s doorstep.
She was the one who informed Beth that Mr Shaibel had died and suggested
they go to the funeral (in the book, it was Beth who made the decision to go).
I was expecting to see a physical training montage of Jolene whipping Beth back into shape as the book portrayed so well, and was surprised when this was omitted. Instead we just see a couple of scenes of them playing squash. What’s worse is that in the show, after Beth had declined to represent the Christian Crusaders, Jolene offered to lend Beth the money she needed to travel to the Moscow tournament. The writers of the show made a clever guise of Jolene’s motive (she’s no guardian angel but family) perhaps to potentially ward off criticism from black viewers. Again, I feel like it was another attempt to make Beth more relatable and less of an oddball loner. They would rather beef up Beth’s female relationships at the expense of her being fiercely independent and resourceful. In the book, Beth simply used what’s left of her savings from having to buy her house from Mr. Wheatley, the anti-Dad, in order to go to the Moscow tournament.
Beth began pulling a long sheet from the roll of toilet paper and folding it into a tightly packed rectangle. The pain in her abdomen had eased. She was menstruating, and she had just beaten Goldmann: 1997. She put the folded paper into her panties, pulled them up tight, straightened her skirt and walked confidently back into the playing area.
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