By Edward Hillel
I
came across Edward Hilel’s The Main quite by chance, really. My daughter has known her BFF since daycare. BFF’s parents are now separated, but they have a circle of friends who regularly hang out
at Parc du Bullion, drinking beer and McAdams cider. They’re comprised
of parents from the neighbourhood and/or people who frequented the Parc JM
softball games and/or the dep on Duluth and Clark.
Hubs and I are not super
social with them, but we’d sometimes hang out there when the girls are together, and the
BFF’s parents would often bring their charcoal grill and host BBQs to
celebrate a family member’s birthday. This last time, we got together for
a Sunday Easter egg hunt at the park.
Long-haired Craig showed up and brought along a hardbound book of black and
white photographs titled The Main, which immediately piqued my
interest, though somehow the book ended up in Olman’s hands first. While he was
flipping through the pages, Craig was saying how he'd just found it on the street -
someone was apparently moving and left a bunch of stuff on the
sidewalk. I remarked how the book was in such good condition and what a nice find. Craig seemed very
pleased. When I finally got to leaf through the book,
I admired the slice-of-life photos of Plateau life circa the mid
1980s with St-Laurent Boulevard, aka The Main, as the anchor. And how fitting that we're all situated in the
Plateau!
I
mentioned how I love black and white street photography, and how this book
reminded me of Robert Frank’s work. Why
hadn’t I heard of this book before? Craig
asked if I’d ever seen a Diane Arbus exhibit, and I was hell, yes, back in
2003 when SFMOMA held a major retrospective of Arbus’ work. I remember
this well because that was when I first spent the Christmas holidays with my future parent-in-laws and was just getting to know them. One morning after
breakfast, we were in the kitchen discussing what we’d do that day, and it was
brought up that we’d all go see the Diane Arbus Revelations show at
SFMOMA. I literally gasped out loud. OMG! I was a big admirer of Arbus' work, had never laid eyes
on her original prints before, and there was a major retrospective of her work
and my in-laws want to go see it?! These are my people!
I also mentioned that
the Musee des Beaux Arts had a Diane Arbus exhibit recently, but Craig kind of
waved it off as it was so small. He had seen her show in New York several
years ago. Anyway, when I got home later that day, I looked up The Main, which
seemed to have languished in obscurity and has been long out of print. On
AbeBooks, I found the same hardbound edition in great condition at a Westmount
bookstore (that only had an online presence) for $30 USD with $10
shipping. It arrived about a week later. I now have my own copy of
The Main, which is in slightly better condition than Greg’s.
The Main was a marvellous time capsule of my neighbourhood that
doesn’t really exist anymore due to the inevitable societal shifts and gentrification.
The Plateau used to be known as a working-class neighbourhood of immigrants,
namely Jewish, Portuguese, and Greek.
Rent was cheap, and due to its central location, the Plateau was also a
haven for university students, artists and musicians. It’s most famous residents were Mordecai
Richler and Leonard Cohen. Even back when I first visited the Plateau in the
1990’s there was already some gentrification taking place. It wasn’t until Ubisoft moved into the Peck Building and the
sudden rise of local indie bands like Arcade Fire did the Plateau/Mile End become
a “hot” neighbourhood.
Over the years, many of the original residents have moved on,
either to the suburbs or more affordable areas. The rent and housing
prices have driven many artists away. But
there are still traces and fragments here and there. Portuguese rotisseries and restaurants still abound,
and the bagel shops and Jewish establishments like Cheskie’s and Beauty’s
remain steadfast institutions. But it
has lost a lot of its original working-class roots and artistic edginess, becoming
a well-to-do area that attracts French nationals and affluent professionals.
A couple of summers ago, my daughter had a big yard sale, and these
Portuguese ladies came by to chat with me, saying they used to live in our
apartment years ago. They now live in the West Island, but they love to
come back to their old neighbourhood to shop (they had just come from le
Patisserie Lawrence V.). Sure, there are
still older Jewish, Portuguese and Chinese residents here, but many, like these
ladies, have moved to the suburbs over the years.
In any case, I recognized so many familiar locations via Hillel's
photos. This one with the woman sitting
by the Virginia Woolf portrait is the alley where I live! Where that chain link fence used to be is our parking area.
There
was one photo taken from the lobby interior of what was then known as the Peck Building, but the
portico entrance looked familiar, and I thought how much it looked like the Ubisoft
building. The text mentioned that the building was located on the corner
of St-Laurent Blvd and St-Viateur - so I was right!
There were many great street photos: one with Charcuterie Hongroise (still going, but for how much longer?) and Charcuterie Fairmount (RIP).
Berson & Sons Monuments, one of the oldest landmarks on
The Main, was replaced by an ugly new condo building about a decade ago.
Author/artist Edward Hillel himself has evolved into a multi-disciplinary artist based in New York now. While I was googling him, I realized I had missed out on a very cool 2017 exhibit at The Museum of Jewish Montreal right in the Plateau! It included never-before-seen contact sheets - all the negatives that did and didn't make the cut for the The Main.
The St-Laurent merchants' association commissioned Hillel, now based
in New York, to return to the Plateau and create a new series of colour
photos documenting the boulevard, 30 years after The Main was published. Apparently, Hillel was gratified to find some of his old haunts still intact.
Argh!! If only I had known about this back then! What a missed opportunity!
