Book 15 – The Watchmen

By Alan Moore and Dave Gibbons

With the excitement over the movie teaser earlier this summer, comic shops all over were sold out of the bound soft cover edition. Since I never read The Watchmen, Olman thoughtfully picked up a copy for me when he was in Berkeley. Of course, it’s been over 15 years since he read the original landmark series, so Olman patiently waited for me to finish it, then re-read it himself and promptly stole my thunder by giving it a nostalgic and glowing review (note I pre-date my posts, so it’s actually late October as I write this).

It’s just as well, since Olman pretty much expresses my feelings about The Watchmen, and does so with more passion and comic-reading experience than I, since I’m a fairly recent newcomer in the world of comics. What can I say other that I’m psyched I got to read this amazing work untainted way before the movie’s due out (can’t say the same for From Hell or V For Vendetta sadly)!

I will say, however, that I was very impressed with Moore’s complex, innovative story. Although Scott McCloud doesn't mention The Watchmen in Understanding Comics, I'd say this work belongs in the elevated level of pioneering work that made a difference. The idea of a superhero comic about regular people being costumed vigilantes and their love-hate relationship with society/humanity is ironically appealing. The interspersed sections of expository text provide a meta-fictional quality and fills in a lot of biographical background of the various characters. It also helps make this a valid 50-book entry as there’s a goodly amount of text! Olman tells me that the original comic series was the first of its kind with its glossy design, slick format and lack of ads.

The story-within-a-story about the shipwrecked man and his raft of human carcasses seemed somewhat bewildering and digressive at first, but the "he who fights monsters must take care lest he become a monster" theme does tie into the conflicts and turmoil of the vigilante heroes. Adding to this, Dr. Manhattan’s ability to transcend time and space contributes to a non-linear narrative structure with multi-layered subplots.

I can’t help but think how the TV show Heroes has been influenced by this comic, and its attempt to possibly one-up the narrative complexity with multiple heroes jumping back and forth in time suffers with mixed results. I was wondering why I was getting fed up with that silly TV show with all the heroes running around trying to save the world, repeating the same stupid and/or inexplicably irrational mistakes, then trying to re-save the world again. The heroes in the The Watchmen do save the world, in a sense, but at great cost and sacrifice. You get a clear idea of where each individual hero stands in their complex moral spectrum, their relationship to one another and how their past histories affect their present choices. You also get a satisfyingly solid ending!

Although I wasn’t as much into the aesthetic style of Dave Gibbons’ illustrations, nevertheless, I appreciated the care and attention to detail, which totally does the text justice. Perhaps it was done on purpose, but I found that the panels didn’t ‘open up’ to reveal wide shots very often and were kept consistently small. This added a very claustrophobic effect for me. But once I got to the climax of the story, the illustrations do become more psychedelic, creative and expansive, which was really eye-opening!

Based on Olman's observation, I can see why reading the entire bound edition or re-reading the entire series in one go would be a more rewarding experience than reading the original series piecemeal in stops and starts. With all the intricacy of plot and details you really need to keep a consistent flow to absorb this work properly. If I had to sum up The Watchmen, it is intricate, surreal, dark, complex, violent, uncompromising, and mindblowingly cool. It’s no wonder The Watchmen remains the only comic to ever win a Hugo award. Try to read it before the movie comes out!

Book 14 – Understanding Comics: The Invisible Art

By Scott McCloud

Art Spiegelman sums up this enlightening book quite nicely in the rear blurb:

Cleverly disguised as an easy-to-read comic book, Scott McCloud’s simple-looking tome deconstructs the secret language of comix while casually revealing secrets of Time, Space, Art and the Cosmos! The most intelligent comix I’ve seen in a long time. Bravo.

Over the past couple of decades, comics of all kinds have experienced unprecedented cachet and commercial appeal. As a graphic medium, comics have been around since the dawn of civilization. Like painting, music and film, comics have their own language and modes of expression. But as a legitimate art form, recognition is still a long ways away.

There has been some recent progress with the publication of Douglas Wolk’s Reading Comics: How Graphic Novels Work and What They Mean and Thierry Groensteen’s academic tome, The System of Comics. But for aficionados and newcomers alike, what better way to explain the history and theory of comics than to convey the information in actual comic form? And to make it even more fun and personal, the self-illustrated Scott McCloud himself takes you on this magical mystery tour of the world of comics. What’s more, Understanding Comics came out at least a whole decade before Wolk’s and Groensteen’s work.

If you’ve had some background in art history, the first couple of chapters are familiar territory as McCloud covers the developments in drawing and painting. It’s important to note that he does this in order to contextualize comics’ place in the history of art, literature, photography and film, since the only thing missing from academic textbooks seems to be gasp comics!

McCloud helps put comics back on the map, and really deconstructs the medium down to its fundamental components of theory, vocabulary, time-spatial relations, and color in a way that is engaging and thought-provoking to readers of various backgrounds. That’s no small feat. For myself, I'd say I'm fairly new to comics, but I have a decently substantial background in art, photography and film and I found Understanding Comics really quite a fascinating, thoughtfully put-together book. I thought that reading this would be a breeze, but at over 200 pages, it’s actually quite wide in scope and jam-packed full of information. Of course, McCloud has some very strong opinions about comics that some may disagree on, but that’s to be expected for someone who’s become a kind of spokeperson for comics as an art form.

Book 13 – The Secret History

By Donna Tartt

I unwittingly read two back-to-back similar sounding books: outsider freshman in isolated American liberal arts college ends up in unusual class led by unorthodox, charismatic professor.

But this is where the similarities end.

The Cheese Monkeys is light, funny and satirical. The Secret History is the equivalent of a modern Greek tragedy in collegiate proportions. The main character, Richard Pepin, finally able to escape his small town roots in California, starts a new life in a New England college. With some previous background in Greek, he discovers a class taught by a distinguished classics scholar who accepts only a limited number of students. When another professor informs him that Julian Morrow conducts his selection on a personal rather than academic basis, and that he and his students have virtually no contact with the rest of the campus, Richard is intrigued.

How Richard gradually ingratiates himself with the professor and the classics clique is well executed and really sucked me into the narrative. At first, he observes the oddly anachronistic students from afar. There’s Henry, who is quiet, unassuming and always in a suit; Charles and Camilla, who like to dress in white; Francis, who’s a bit of a dandy, and lastly, Bunny, an affable freeloader. The early stages of friendship are just awkward enough to make it realistic and compelling enough to make it interesting. Like Richard, getting to know these people is like getting sucked into another time and place outside of “asphalt and shopping malls and modular furniture”. You want to know more about these characters, and what happens next.

Richard’s first day in Julian’s class, in the inner sanctum, is also excellently described. Julian’s exquisite taste has transformed a drab office into a philosopher’s library, and Richard realizes why his students are so devoted as “ he was a marvelous talker, a magical talker.” The discussion that day also sets the tone for the rest of the novel: Plato’s four divine madnesses, the burden of self, why people want to lose the self in the first place, and the powerful mystery of the Dionysiac ritual. That seductive desire to become absolutely free, to attain that “fire of pure being”, if only for a fleeting moment.

Sure enough, the clique holds an unusual secret. But we only see it through the perspective of Richard, the newcomer, who is liked but not yet fully accepted into the circle. As the reader, you really don’t know what’s going on, everything seems opaque. Let’s just say the fragile harmony of the group is thrown off when they embark on their own customized Dionysiac clusterfuck, and things go downhill from there. One of the clique undergoes psychological change from familiar friend to cutting, vindictive tormentor and this has deadly ramifications for the entire group.

The novel also has an unusual structure, where you’re informed at the beginning that one of the main characters is murdered, and Richard reflects back on what happened. The mystery isn’t about who killed whom. This doesn’t interest Tartt, so much as using the framing of the Greek tragedy to explore the darkness that lurks in human nature. What makes reasonably intelligent people latch onto to each other and succumb to the pack instinct? What forces or catalytic factors propel otherwise civilized people into barbaric murderers?

There was also good sociological insight into the relationship between the individuals in the clique against the rest of the students at the isolated liberal arts college. One of the main reasons The Secret History was given to Olman when it first came out was that the setting was so much like Reed.

Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally believed to be, and this hermetic, overheated atmostphere made it a thriving black Petri dish of melodrama and distortion. I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke.

The Secret History was published in 1992, and the setting was of that period in time, but I kept picturing the story taking place much earlier in the century, like the 1920’s or 30’s. The style of writing, the way the professors and students spoke with each other and behaved, their strangely anachronistic lifestyle. The only people that seemed contemporary were the students outside of that clique. But this is the only part where I could find fault in Tartt’s writing. She excels in her classic style of writing and philosophical discourse, but slangy urban banter sounds somewhat forced and stilted. But I guess it’d be hard to write in slang when topics of conversation tend to be about arguing how far apart the soldiers in a Roman legion had stood, or whether Hesiod’s primordial Chaos was simply empty space or chaos in the modern sense of the word!

So this novel had just about everything. Sociological insight. Manipulation, paranoia and psychological tension. Some police/FBI investigation thrown in. The familiar tragic ingredients of love, sacrifice, betrayal. And just a tiny bit of the supernatural to seriously creep you out. Tartt confidently weaves all these together, making for a marvelously satisfying read. The story is rich, dense, complex and apparently took 10 non-continuous years to write. This is indeed a beautiful and terrifying book. I would definitely be interested in reading Tartt’s next book, The Little Friend.

Book 12 – The Cheese Monkeys: A Novel in Two Semesters

By Chip Kidd

Note to reader: I’m going to use the word “clever” a lot for this review.

In case you didn’t know, Kidd made his mark as a graphic designer and his work has graced the covers of some fairly distinguished works of fiction. In 2001, he got his first book published -- as a writer. So not surprisingly, this particular trade paperback has:

1) his hands all over it (although the cover design is by “TK” – aka The Kidd perhaps?)

2) every single aspect of its design artfully and cleverly done.

I’m not just talking the front cover either. Oh no. Before you even start reading the damn thing, you’re looking at all the subversive little details in almost every structural piece of the book: the front and rear cover are the obvious places, then there’s a blurbs page, a spliced up copyright page and title page. Heck, even the inside front cover and the frickin’ fore edge (I had to look up which part of the damn book this was called in the Wikipedia, fcol) featured a clever little statement. I think the only thing left untouched was the ISBN barcode.

Ok then, the superficial stuff is now out of the way, we can finally get to the actual meat of the book. Well, first off, the content is cleverly structured. After all, the novel is subtitled A Novel in Two Semesters, so that is how the chapters are organized, and thus, how our clever little story unfolds.

Ok, already, so what is this book all about? Does it even have a story? Well let’s see. The story starts off about a college freshman student in 1957. Being somewhat late registering for art classes, he inadvertently ends up in a graphic design class taught by a young, charismatic pipe-smoking prof named Winter Sorbeck. Sorbeck is unorthodox, fascistically hardball, and likes to call his students ‘kiddies’, but damn, the guy is really passionate about design. If you’re listening, he’ll drop smart little graphic design tips, such as:

Always remember: Limits are possibilities. That sounds like Orwell, I know. It’s not – it’s Patton. Formal restrictions, contrary to what you might think, free you up by allowing you to concentrate on purer ideas.

Or

Today we’re going to talk about Left to Right. We are the Western world. We read, see, think. Left. To. Right. We can’t help it. You have a few givens in this life, in this class. That is one of them. Use it.

Our protagonist also befriends who could be the most annoyingly cool girl on campus, Himillsy Dodd. Hims has very precociously leftfield opinions about institutional art. She hates Magritte (he ruined it for everybody – he gives everyone with an accelerated imagination a bad name!) and Picasso (a walking castration anxiety). More importantly, she is the best person to be with when running into the Campus Crusaders because her voice has just the right note of archness when slinging a witty retort to “Jesus loves you”.

The protagonist, known only by Sorbeck’s nickname, which is, ahem, Happy, soon becomes infatuated with both characters. Looking at photos of Kidd on the web, wearing a smart suit jacket and sporting either tortoise-shell or wire-rimmed glasses, or posing in wife-beater and cigarette for a black & white Kerouac-style portrait, I somehow get the feeling that The Cheese Monkeys is his ultimate liberal arts college fantasy.

That’s ok. Cuz I kinda enjoyed being in Kidd’s happy little vision of 1950’s collegiate life. It allows Kidd to insinuate clever remarks via his Happy channel. Like what would Happy’s internal thoughts be if he were to end up at a boring dinner party of uber-urbane architectural graduate students, which he does:

The guests started to arrive, and after thirty minutes I could have sworn I was in the first draft of an Ayn Rand novel. That this little pocket of proto-aesthetes really existed in State’s Disneyland of academic banality was more than I could have expected, let alone hoped to get a load of.

It’s ultimately a fluffy and very clever-funny read full of clever writing, but there are some real moments too, like learning cool things about design, and the awesomeness of finding a cool friend who inspires you to look at life differently, and how fun it is to be a student learning about something that really excites you and being challenged. The story may not be completely memorable, but little gems like this below (which totally reminds me of my film school days and of a certain French Fold) make up the sum of its parts:

It’s hard to pinpoint exactly when The Difference began, but as I bought my ticket from the Beaver Bus Travel Company to go home for Easter, I was really, really bothered by the fact that the color and shape of the logo on it… did not match those on the sign above the sales booth… And that’s when I realized things like this had been occurring to me a lot lately. All signage – indeed, any typesetting, color schemes, and printed materials my eyes pounced on were automatically dissected and held to Draconian standards of graphic worthiness. It was all I could do to keep from grabbing the station attendant by the shoulders and shaking her into sense, screaming, “None of it’s CONSISTENT! Don’t you understand?! Somebody DO SOMETHING!!”

Book 11 – Skinny

By Ibi Kaslik

From The Spellman Files to Skinny, I went from fun to serious. Fun reading is definitely superior in many ways (I must admit, I unhesitatingly took a break from Skinny after acquiring TSF so I actually went from serious to fun and then back to serious again), but once in a while you can learn about life stuff by undergoing “serious” reading. For instance, you can learn firsthand how such a bright and promising medical student and her little eating disorder can tear a Hungarian-Canadian family apart. Yes, welcome to teen Can Lit!

So here we have Giselle and her younger teenage sister, Holly, with each chapter alternating from the perspective of each character as they deal with the familiar struggles of growing up, school, boys, etc. Some serious trepidations I had when the first chapter awkwardly introduces Giselle in the hospital recovering from her first anorexic bout, with her wondering how she ended up there: The image I had of my future was all straight out of a Hollywood film – melancholy little suburban girl goes to university, finds herself, gets a life, a boy, a degree. Start nostalgic music, cut to me inside my tiny shared student apartment… She is me, this girl, she is Hello-My-Name-Is…

Oh dear. Olman would’ve thrown the book across the room after reading this. But I being meezly, and a far more dauntless reader, plowed on. After all, I had picked this up for only $5 at a used bookshop while passing through a quaint and nameless town in Ontario, not to mention Kaslik is a hot young Montreal writer with some hipster cachet. So even though the self-conscious writing had the unsurprising tendency of taking itself a little too seriously by wallowing in troubled lives, it wasn’t so bad. The sincerity was there. I mean, it’s unpleasant dealing with troubled people in life, let alone reading about them. I myself am a fairly well-adjusted gal who’s had a fairly stable upbringing. And I’ve known friends or relatives who’ve experienced real setbacks before, but no one has ever really been a real fuckup. The difference between a regular person and a fuckup is when shit’s falling apart, the fuckup will, inadvertently or willingly, take down everyone with her.

Kaslik has no qualms about exploring how Giselle ends up fucking up her life by delving into her complex relationship with her father. If you know deep down that your father never really loved you and that he always maintained an inexplicable distance towards you, and then he dies, and you realize in college that it was due to some untold family secret. The lack of love and reconciliation is like a little demon seed that grows inside an already very delicate psyche, and then add to that medical school and trying to have a normal college life, then well yeah, that could be a recipe for a psychological timebomb.

As a female, I’ve never had much sympathy for women obsessed with their bodies, and I can’t say reading this book helped in garnering any more sympathy for Giselle and Holly. It didn’t help that I couldn’t’ relate to their personalities nor their trials and tribulations. But the book did give me an interesting perspective into why certain people behave so irrationally in life. And how some people end up as total fuckups.

I don't know if I'd ever check out Kaslik's next book, which is supposed to be about the Montreal indie music scene. I can imagine Olman having a field day with this one!

Book 10 – The Spellman Files

By Lisa Lutz

With movies, I every so often delve into a classic, but the bulk of what I consume is recent. Same with books. Though not exactly a ‘new release’ kinda girl when it comes to contemporary reading (publish date being 10+ years ago) since I mostly get my fix free via public library and never buy new. The past year or so, I’ve been making a habit of perusing used bookstores whenever I visit "English-speaking" areas, and thus to my delight have discovered more recent works. Take The Spellman Files, for instance, which came out just -gasp- last year!

Isabel’s parents, Albert and Olivia Spellman, run a private detective agency called Spellman Investigations from their multi-storied Victorian house in San Francisco. They employ Isabel and Al's brother, Uncle Ray, both licensed PIs, and would sometimes give the odd tailing job to their 14-year-old daughter, Rae. This itself isn't so unusual since 28-year-old Isabel first started helping out on cases when she was only 12. David, the eldest son and a high-powered lawyer, never having been interested in the family business, is possibly the only sensible member of the family to have moved out of the Spellman nest.

“Most people don’t spy on each other. Most people don’t run background checks on their friends. Most people aren’t suspicious of everyone they meet. Most people aren’t like us.”

This is the reality check that Isabel tries to impart upon adolescent Rae after a particularly trying week. It turns out that their parents have sent Rae to spy on Isabel and Daniel, who soon becomes ex-boyfriend #9. He just couldn’t handle her and her oddball family! When the Spellmans aren’t working on cases, or spying on each other, they’re busy tracking down wayward Uncle Ray on his drunken, poker binges in Las Vegas.

There are family melodramas for sure. Or more like outright declarations of war (the battle between Rae and Uncle Ray is pretty good stuff). But there are also interesting insights into detective work: the exciting, the not-so-exciting, and the overbearingly irksom, especially when both the personal and professional gets all messily entangled within the "family business".

Which brings us to Isabel’s love life, or lack of one thereof. When Isabel realizes she’ll never find a lasting relationship if her family keeps bugging her room and running credit checks on potential suitors, she finally threatens to quit and move out of the Spellman house. But her savvier parents strike a deal: if she can crack a 10-year-old unsolved case about a missing person named Andrew Snow, she’s free to go. This is where Isabel jumps into the case with such obstinacy no living PI has ever seen before!

“An addictively entertaining read…”
“Fast-paced, irreverent and very funny debut…”
“She’s part Bridget Jones, part Colombo…”

These blurbs are blessed by the likes of USA Today, People and Glamour. Yup, TSF was a bit of a mainstream hit and a NYT bestseller which became promptly optioned for movie rights. Not surprising, since TSF was so much fun to read. Though it does get a little too cutesy at times, á la The Royal Tanenbaums meet Dashiel Hammett, this is still a wickedly funny, and at over 350 pages, a substantially enjoyable read.

So help me out folks: keep your eyes peeled for the sequel, The Curse of the Spellmans!

Book 9 – Fun Home: A Family Tragicomic

By Alison Bechdel

This critically acclaimed graphic novel was highly recommended by Olman’s sister. Olman then picked up a copy in TO, read it and lent it to his aunt, who then passed it back onto me when we were staying at her lovely cottage by Georgian Bay, Ontario.

I very much agree with the first half of Olman’s review, but understand the other half is based on his own taste and perspective.

The premise may not sound terribly inviting to some: an autobiographical graphic novel about a queer girl growing up in a tragically dysfunctional family. But Bechdel’s story is, nevertheless, wonderfully and exceptionally told. Just flipping through the pages, the casual peruser may feel that there is nothing particularly remarkable about the eloquent illustrations. And even though the narrative structure is fairly nonlinear throughout, at heart Bechdel uses the framing device of “author looking back at her past” in order to posthumously reconcile with her father, who never came out of the closet.

Once you start reading, however, you soon realize that Fun Home is a rare combination, where both mediums, image and text, are executed with harmonious insight and beauty by the same author/artist. Bechdel's various accounts: of her growing up in a Victorian-style funeral home (hence the title), her awkward relationship with her father, her obsessive-compulsive diary entries that become more and more indecipherable as she's gripped by adolescent uncertainties, flashbacks of family trips to New York City, her coming-out in college and yes, even all those literary references... they all made for a fascinating, engrossing, heartfelt, moving and very personal story.

Douglas Wolk writes an in-depth review that really does this work justice, if you’re considering checking this one out. I myself would certainly recommend it!

Book 8 – Fight Club

By Chuck Palahniuk

From the refreshingly feminist romance of My Brilliant Career to the male-driven mental maelstrom that is Fight Club, there is no pattern to my pursuit of leisurely reading!

I’m sure all you 50-bookers are already well acquainted as to what Fight Club is all about, mostly likely thanks to David Fincher’s ambitious 1999 movie adaptation (which I saw when it first debuted). I see now how faithfully Fincher captured the voice of this wacky cult writer, and then some. Like the flick, the book crackles and pops with Palahniuk’s brand of nihilistic humour and seethes with a tightly wound masculine energy.

Palahniuk’s sordid world of basement support groups and clandestine fight clubs; his endearingly deranged protagonists caught up in familiar themes of male identity crisis and individual worth in society; the twisted use of plot devices, such as a schizophrenic love triangle, provide the perfect boxing ring for Palahniuk to make his irreverent jabs and punches at the big C’s: Consumerism, Conformism and Corporations.

The fight clubs of men beating up men somehow evolve into an underground society of brotherly militants conspiring to wreak pure, unadulterated mischief upon society, and then of course, this becomes a global network of terrorist cells to bring down civilization as we know it!

Despite the constant lust for mayhem and anarchy, I still appreciated the post 9/11 relevance of Fight Club. You know that Palahniuk wrote it all in good clean fun. Though his voice calls for chaos, the writing itself is tight and spare, and the style articulate, distinct and most of all, not too self-consciously clever. All in all, an entertainingly excellent read!

Book 7 – My Brilliant Career

By Miles Franklin

This wonderfully brilliant novel was published in 1901, but it feels so timeless and universal it could have been written yesterday, albeit by a precociously gifted young writer. This is the kind of book that makes me realize why I love reading great fiction so much. It also makes a 6 hour train ride to Toronto so much breezier and sweeter!

The tale is archetypically simple yet strikingly and passionately written. Sybylla Melvyn is a fiery, headstrong girl growing up in an impoverished farm way out in the Australian bush. Too clever for her own good, she longs for an artistic life far removed from the reality of unending farmwork and drudgery. By a stroke of good fortune, Sybylla is sent to live with her wealthy grandmother in her estate along with her jovial uncle and lovely aunt. She soon strikes up an unlikely romance with the neighbouring landowner, Harry Beecham.

Yes, this all sounds like a typical Victorian fairy tale, except this is where our plucky heroine turns down the man at the end, refusing to marry in order to maintain a sense of true independence. This is the kind of totally left-field ending that’s practically unheard of at that period in history. What’s even more remarkable is that the book was written when the author was only 16. You gotta wonder where a young girl, even a precocious one, got such ideas having only grown up in an isolated rural community in New South Wales at the turn-of-the-century, as this is truly a feminist's happy ending.

The book was a big hit in Australia and abroad, and much speculation was made about the autobiographical aspects of the novel. Indeed the fictional Sybylla Melvyn and the young Franklin are very much one and the same (the author’s full name is Stella Franklin, as she used her more masculine-sounding middle name, Miles, for professional and practical reasons). Sybylla/Stella is impulsive, egotistical and self-centred, but somehow she becomes one of the most endearing characters I've come across in fiction in a long while, and I was quickly hooked. This is also definitely a tale from the Australian bush, a world which Franklin knows intimately. There are plenty of rich, detailed accounts of the landscape and life in the outback, from the harsh and impoverished conditions of nomadic farmhands and sheepherders to the privileged and leisurely pursuits of the upper classes.

The average male reader may not be so interested in this book. But if you’re a fan of Jane Austen and such, this is a must-read. Definitely recommended for female readers young and old, as this has been a highlight read of the year so far! It’s even inspired me to re-rent the equally brilliant 1979 film adaptation by Gillian Armstrong, featuring a young Judy Davis and Sam Neill!

Book 6 – Jenny & The Jaws of Life

By Jincy Willett

This short story collection was published in 1987 and reprinted in 2002 with a foreword by David Sedaris, who first discovered JATHJOL in the New Fiction section of the Chicago Public Library. The stories left a profound impression on the young Sedaris, 'a voracious reader then, a student shoplifting for a voice…'

Willett’s stories have also been described as ‘wonderfully funny’. Sadly, however, I personally found the majority of them not very amusing nor impressionable. After writing this review 3 months after reading them, I find I can’t recall what most of them were about. It also didn't help that I've been forcing myself to finish this book since early last year.

I find Willett’s expository writing style very bland and kind of boring. There is very little dialogue, external or internal, and she has a tendency to employ the 3rd person, which results in a fairy tale-like narratives about unconventional, complex people living ordinary lives. But this also has the adverse effect of creating a greater distance for the reader, at least for this one.

Out of the dozen or so stories, I found the following few worthwhile:

“The Haunting of the Lingards” -- How a married couple of differing personalities and beliefs get along with each other.

“Melinda Falling” -- How a man loves an extremely accident-prone woman, who grows to a ripe old age, but nevertheless still rails at God.

“Justine Laughs At Death” – a clever one about Evil personified as an immortal serial killer, a kind of Jack the Ripper in the 20th c. who picks his victims out of a list in his black book. Over the course of many nights, he gets phone calls from various females, young and old, who seem impervious to his cruel and wicked banter. In a fit of rage he calls the phone company and a rep named Justine answers. She turns out to be the representative of all his past victims and is Vengeance, Justice, Revenge, and Woman rolled into a convenient package. Sadly, the story ends rather anti-climactically.

The best story, the funniest and most memorable, is “The Best of Betty”, written entirely in the format of an advice column.

And there you go, a review to quickly get it over with. Next!

Book 5 – Great Apes

By Will Self

"Darwin was wrong. Man's still an ape." -- Gene Kelly

Most reasonably intelligent and educated people familiar with evolution know that humans are part of the same family as the great apes, made up of gorillas, orangutans and chimpanzees. And it's fairly common knowledge that humans and chimps are at least 99 percent identical in terms of basic biological chemistry. Heck, there's even been speculation about the possibility of producing a `human-chimp' hybrid with artificial insemination, without any help from genetic engineers (if it hasn’t been done already). It’s a wonder that our genetic cousins don’t get much respect, instead getting demonized or exploited in popular culture.

But these aren’t necessarily the most perturbing facts. Spend enough time observing chimpanzees or bonobos in a zoo, and you quickly understand how very few differences there are between human and chimp society. Having long been fascinated by these parallels, I had great anticipation in seeing how Will Self would use these ideas in his novel. He did not disappoint, as he took the ideas and went for a Swiftian marathon run with them.

Simon Dykes has all the makings of a talented and successful painter in London. Controversial in both life and art, he’s hedonistic, brooding, emotionally arrested and self-destructive (hmm, a bit like the author himself). He has a love-hate relationship with his inner social circle of conceptual artists, agents and art dealers, not to mention a stormy partnership with his girlfriend, Sarah. One fateful night after partying, he has animalistic sex with Sarah while high on coke and ecstasy, and wakes up the next morning in a world where every single person, himself included, has completely transformed into hairy beastly chimpanzees. The only difference is that Simon knows he’s still Simon, a man trapped in a chimp body in a chimp world, while everyone else keeps acting like bloody stupid apes. They don’t speak, instead they pant-hoot, gesticulate and sniff each other’s arses. They take 2-minute orgy breaks in public. On the bloody street, for chrissakes. Naturally, Simon goes apeshit (or humanshit, rather) and is soon thrown into a mental hospital. Soon enough, our tragic protagonist is taken under the wing of Dr. Zack Busner, who in turn becomes obsessed with the strange case of Simon and his human delusion.

Although the central premise is not exactly original (a kind of satirical and Sacksian inversion of The Planet of the Apes, which is playfully referred to as The Planet of the Humans in the novel), it does allow the author to flesh out the man vs chimp theme in many clever ways. There are many brilliant passages throughout the novel and you get the sense that the author is having a helluva hoot, and a scatological fun time, writing this up. I found his “observations” about social hierarchies and niceties the most humourous:

The three chimps greeted one another with stentorian pant-hoots…
Busner, ready to lash out at any impropriety, was quite disarmed when Franklin presented to him with great and groveling alacrity. The big chimp pushed his arse towards Busner, while most of his upper body was hugging the path, flicking the while.

“’Hoo’ Dr Busner, what a pleasure to encounter you and your magnificent ischial scrag – I’ve been an admirer of yours for many years.”

Despite my overall enjoyment, my only criticisms were that the novel, at just over 400 pages, was too long. The “Ape Who Mistook Himself For a Man” idea can’t be sustained for such a length and would have made a far better novella. My interest would wax and wane whenever the story dragged on too much, or a darkly funny section would pick things up again. The ending, where Simon and Dr. Busner, journey to meet the chimp version of Jane Goodall who's studying the "wild humans of Gombe", was a bit obvious as well as somewhat of a let-down.

Book 4 – Animal Farm

By George Orwell

I felt just like how Crumbolst felt after finishing To Kill a Mockingbird: “What can I say about a book that's been discussed by millions over the past half century?”

Better to read what June 23rd Project wrote about the effect this powerful novella had on a Belarusian teacher visiting his high school during an exchange program.

For some sad and unforgivable reason, I never studied Animal Farm at school. I’m just glad I finally had the initiative to read this when I was sick at home one late, grey winter day.

Book 3 – Crow Lake

By Mary Lawson

This sat in my on-deck shelf for the longest time, mostly because I kept seeing it in used book stores thinking it was the kind of book that wasn’t really worth holding onto. But Crow Lake is far from a being a ‘remainder bin’ kind of book.

I don’t usually seek out this type of fiction. There is a bounty of Canadian books mining the territory of family hardship and growing up in the harsh unforgiving landscape yada-yada-yada that I’m simply not that interested in. Crow Lake piqued my interest because it was about an aquatic zoologist and a review I read way back when said there were beautiful passages about the natural world. I guess with anything in life, every now and then it can be a character-building process to delve into something you don’t normally do, especially with something that’s done well.

The story begins with a young girl named Kate who lives in a remote farming community in northern Ontario. Her brother, Matt, is a gifted student with a love of the natural world, spending countless hours studying the tiny inhabitants of the pond that’s situated on their land, from water insects to microscopic organisms. Luke teaches his little sister everything he knows about the pond ecosystem.

One tragic day, Kate, along with Matt, baby sister Bo, and eldest brother, Luke, are suddenly orphaned when their parents die in a car accident. Luke, who was about to attend teacher’s college, and Matt, barely out of high school, suddenly give up their aspirations to raise Kate and Bo at the farmhouse.

Then fast-forward to Kate, who’s grown up to be a brilliant zoologist in Toronto, but who has also grown distant, geographically and emotionally, from her siblings, who have never left their hometown. When Kate develops relationship issues with a fellow scholar when things get serious, she must confront her past if she doesn’t want to lose what could be the love of her life.

Ok, my summary towards the end got caught up in some clichés there, but really, this was a well-written book exploring the protagonist’s underlying, complex emotions with deft patience and control. And what's more, there were indeed satisfying and quietly beautiful passages about the natural landscape. Here's a sample:

---
By September everything was in seed. The seed heads shook their contents over you as you passed and the burrs clung to your clothes. Some days thousands of milkweed pods would burst open together, triggered by the heat of the sun; thousands and thousands of small silent explosions repeating themselves in salvos down the miles of tracks. On those days I walked through clouds of silken down drifting about like smoke in the morning breeze.
---

The understated quality and subtle character studies are probably why this novel hasn’t made any significant emotional impact on the general reader. There’s nothing catchy, no wow factor. But if you’re looking for a quietly thoughtful story, this is worth delving into.

Book 2 – Blood Is the New Black

By Valerie Stivers

Fashion is a bloodsucking business. Literally.

When you have this as a tagline, either you totally want to find out more, or you don’t. Like when you’re nursing a hangover and you somehow managed to haul your ass over to the new releases section of the nearest video store, and you’re dumbly gazing at the catchy cover, well, you just need to know whether it can deliver the mindless yet engaging entertainment you wish to occupy your mind with for the next few hours. And Blood Is the New Black is just that, um, except it’s in book form.

So you've got the heroine, Kate McGraw, who, you know, is plucky and independently minded, not a fashion slave at all, because she's got her own retro-style going and she wants to be a doctor or lawyer one day. Somehow, her aunt pulls strings and she ends up working as an intern at Tasty magazine. Like any fresh young upstart, Kate is instantly disliked by her immediate boss, the uber-bitchy Lexa, and catches the eye of the cute in-house photographer, James. However, she also falls under the spell of the ethereally graceful and mysterious editor-in-chief, Lillian, and gets herself embroiled in the shocking “fashion murders”, where the victims are inexplicably drained of their blood, and found near photo shoots and parties whenever her freakishly pale co-workers are around.

As Olman already pointed out in his review last year, the manifestation of the vampire myth in the modern, fashion world is fantastic. It cleverly integrates all the vampire clichés, updates some of them and wittily critiques high fashion. And I must say, I agree with this statement. Here are some good quotes that perfectly illustrates why there are so many fashion victims...

“I learned that vampires are always seeking others who can join their ranks. They have a pathological need for followers. That’s why they’re in fashion. But very few humans can make the transformation.“

“… Now that she’s marked you, you’re like a beacon. Our kind can sense you. And with each bite, your ability to evade attack lessens. Most blood donors end up it in the end. You’ll see them shopping in Nolita, or at the tents in Bryant Park during Fashion Week, just waiting to be picked off.”

Now, I’m not exactly on the cutting edge of fashion, but I’m a woman and like most women, I loooooove clothes. So unlike Olman, I enjoyed the noisy-chatty and at times, very clever-nasty, female-driven dialogue and the detailed references to what the various characters were wearing. When you have lines like:

“When Reese leaves, the silence in our closet-slash-office is thicker than Pringle cashmere.”

“My aunt walks into the kitchen wrapped in a fuchsia silk robe with a contrast-band of brilliant blue around the waist and blue bias-tape trim.”

“Let me see it,” she says, taking my wrist and examining the tacky puncture wounds. “This is nothing! This is just a sip. You’ll want to shop a little bit more than usual, but that’s it. And you’ll look good. Anemia is chic!”

It’s like Sex & The City meets The Devil Wears Prada meets Buffy! What more can a girl ask for?

Book 1 – The Land of Laughs

By Jonathan Carroll

The Land of Laughs had been on my list forever, back in the day when I was intrigued by fantasy-realism (like Peter S. Beagle’s A Fine and Private Place or Jack Finney’s Time and Again) and when I saw it at a used bookstore in Berkeley, I went ‘what the heck’.

The novel begins quite conventionally (hence realistically) with Thomas Abbey, who lives a ho-hum existence as a teacher at an all-boy’s school somewhere in New England. His one true passion is the work of Marshall France, a mysterious and reclusive writer of fantastic children’s books, who died at 44. Although well-known, no biography exists of France, due to the author’s difficult family. In a fit of early-life crisis, Thomas decides to go on a sabbatical. Soon he and new girlfriend, Saxony Gardner, journey to France’s isolated hometown in Missouri where they’re warmly received, surprisingly, by France’s daughter, Anna. Even more surprising, they're eventually granted permission to embark on writing the long-awaited Marshall France biography. For a period of time, everything seems to be going well. Then strange things start to happen to Thomas, like seeing the face of a local fleetingly transform into one of France’s beloved characters, or overhearing a bull terrier muttering to himself in his sleep. Gradually, Thomas and Saxony learn that the vivid imagination of Marshall France has had a persisting influence over the town of Galen, even long after his death.

TLoL is also categorized as slipstream, as opposed to conventional magic realism or fantasy. As much as I was enjoying the realistic, almost rom-com style narrative of Thomas and Saxony meeting, their journey to France’s town, their interactions with the townspeople, their research, etc. it took a looooong time for any kind of ‘magic’ to appear. This was likely intentional as the pacing of the intro of supernatural elements seemed deliberate, then you finally get some sort of explanation and then suddenly an ending that was rather jarring and a little disturbing, a bit like how the Japanese film, Audition, was structured (but not nearly as horrific). In building up the disquiet and surreal, by the time it gets to the unexpected denouement, I was quite taken aback.

There were times, however, where the writing style lacked a certain flair for words and maybe a kind of coolness factor. I think this had to do with US-born Carroll having relocated to Austria permanently when he was a young man, thus becoming somewhat isolated from American culture for a period of time. At times the exchanges between him and girlfriend Saxony were rather corny, almost derivative of an 80’s TV movie (the novel was published in 1980). Same goes for some of Thomas’s internal dialogue. For example, here’s a passage where he fantasizes about rescuing a roped and naked Anna from a basement (which is also corny in itself):

The plywood door explodes and I come flying in with two Bruce Lee kung-fu chains whirling around my hands like airplane propellers.

My first thought, other than “man, this is hokey-ass”, was “dude, those things are called numchuks”.

Despite all this, I enjoyed The Land of Laughs, but I wasn’t totally wowed by it. If you’re interested in fantasy-realism, I’d recommend Peter S. Beagle’s A Fine and Private Place or Jack Finney’s Time and Again first.

Year End Wrapper Upper

Not exactly a feel-good way to end the year with the utterly bleak I Am Legend and anarchically violent No Country For Old Men, but satisfying nonetheless to complete my year-end holiday with these two excellent books.

What’s more, 2007 was a very good year of reading for Meezly. My output has almost tripled since I first joined the 50-book meme, starting with a measly 7 books read for 2005, 15 for 2006 and a whopping 19 for 2007!

The 50-book thang also got me perusing used bookstores more frequently than ever before. For 2008, I’ve literally got on-deck stacks to get through! Maybe this year I may be able break into reading twenty-something books.

Book 19 – No Country For Old Men

By Cormac McCarthy

I won’t waste my breath providing a synopsis as Olman and Mount Benson have already written great reviews for this book.

This was a very cool read. To quote a review from The New Yorker, No Country For Old Men is “tight, reduced, simple and very violent”. Since I saw the film adaptation prior to reading the novel, it was an unexpected pleasure to discover a “different” ending, which revealed a more straightforward resolution compared to the inexplicable and jarring denouement of the Coen Brothers’ movie.

In the novel, the motives of Llewellyn Moss were definitely more questionable and complex. The nemesis, Anton Chigurh, really came across as this new breed of monster in human form, who, for whatever mysterious reason, ends up ascending the echelons of criminal society. And finally, there’s Sheriff Bell as the moral center, who seems even more a helpless and irrelevant figure, as the world he once knew gradually descends into lawlessness.

Even though it was mildly confusing at times, I didn’t mind the lack of punctuation and dialogue quotations. It was a self-conscious stylistic device for sure, but it also added a kind of detached surreal quality to the narrative.

From what I’ve read in the way of reviews, though McCarthy's talent for words is undisputed, there are some critics who question whether he’s really all that deep. He's post-moderney and intellectual but successfully mimics southern white trash vernacular. Does this make him inauthentic? His pessimistic takes on human nature and running themes of meaningless violence and the pervasiveness of evil... does this make his work morally empty?

I haven’t read enough of McCarthy’s stuff to know. But I do know that NCFOM certainly delivers as an existential action thriller. I also like his style, which is, as quoted by Mt Benson, “a consistent voice and a world of destruction and desolation”. In the future, I’ll definitely check out other books by McCarthy, particularly his latest: a post-apocalyptic father & son story called The Road (despite the fact that it was selected by Oprah for a Book Club pick!).

Book 18 – I Am Legend (& Other Stories)

By Richard Matheson


This was the result of a very rare moment where I purchased a brand new trade paperback for myself (couldn’t find a used copy in time for the movie release), and it was worth every over-priced Canadian penny. What a totally wicked way to almost end my 2007 Book List!

I was so very glad I read the book before watching the movie. As I’m sure all the 50-bookers are already familiar with the premise of Matheson’s story, I won’t bother to summarize. The ending alone is priceless, exuding the kind of bleak pessimism that haunts your thoughts for days (unlike the movie’ version’s perversely uplifting ending which left me shuddering for the wrong reasons!). 'I Am Legend' is obviously a must-read for any fan of post-apocalyptic and/or horror fiction.

Adding more bang to my canuck-buck, my purchase also came with several short stories by the same author. Some aspects of the writing are a little pulpy in terms of subject matter and suffer from out-datedness a la the 1950’s, e.g. stereotypical heterosexual relationships and preconceived ideas about non-white cultures. But the majority of the stories were still page-turners with some creepy little gems like:

"Prey" – a woman is trapped inside her apartment with a possessed African-fetish doll! Now you get my drift? But her battle with the murderous doll was very well-written.

"Mad House" – a hapless man’s rage against his loser life is so great, it takes on a life of its own... and turns his own house against him! walkerp would definitely identify with the character’s furious outbursts ;-)

"From Shadowed Places" – a rich American man pisses off a vengeful African shaman and pays the price! And help comes in the most unlikely form.

"Person to Person" – a man hears a voice inside his head, a voice that telephones him every night! Is it a figment of his subconscious, or a sinister external entity that wants to take over his body? Neat twist at the end too.

Book 17 – Tiny Ladies in Shiny Pants

By Jill Soloway

To continue my brief sojourn into 'chick-lit' is this collection of essays from one of the top writers from the TV show, Six Feet Under. This is most definitely not something I would ever consider reading (the only reason I delved into this was because the book was a gift). All in all, TLISP provided a mindless distraction from the usual stuff I read, providing amusing little nuggets about life as a middle-class Jewish girl growing up in Chicago to juicy anecdotes about being a struggling writer in L.A.

Some of the passages were funny and insightful, like bitching about public toilet seat “hoverers”. But others weren’t so funny, like her rants about patriarchy and feminism. If you’ve read a book or two by de Beauvoir or Friedan, or taken a first-year Women’s Studies course, you'll likely wince at Soloway's so-called theories, which have already been said more intelligently and articulately by a generation of feminists before her. But when Soloway sticks to cute subjects, like Why Jews Go to the Bathroom with the Door Open, or morsels of advice, like how to make a decent living as a writer in L.A., then it’s a little more bearable.

Book 16: The Heart Is Deceitful Above All Things

by J.T. Leroy

The real story is truly more fascinating than fiction. In the late 90’s, out of nowhere, a 19-year old male author by the name of JT Leroy publishes ‘Sarah’, a haunting semi-autobiographical tale about a boy and his white-trash teenage mother, who eked out a living as a truck-stop prostitute. The novel and the subsequent ‘The Heart is Deceitful Above All Things’, catapulted Leroy into cult literary stardom, gaining admirers and devotees from the likes of Gus Van Sant and Courtenay Love.

What's more, Leroy was apparently very shy and didn’t make any public appearances until well after the publication of 'Sarah', and even then, he was always seen wearing large dark sunglasses, a blonde wig and a black hat. This added to his mystique even more, but also fueled public speculation and doubt.

Then in late 2005, it all came crashing down. The details of possibly one of the most notorious literary hoax of recent years can be found easily on the internet, but in a nutshell, JT Leroy was revealed to be the persona of 34 year old Laura Albert. The sunglass-wearing public figure who claimed to be Leroy was actually the sister of Albert’s boyfriend, Susanna Knoop. A media fallout and instant notoriety ensued, not to mention withdrawn book deals, void movie contracts, inevitable lawsuits and criminal charges. Forget about continuing to perpetuate the myth of JT Leroy. Once the dust has settled, I’m sure Albert and/or Knoop will somehow manage to sign a lucrative movie deal about their fantastic hoax, if they haven’t done so already.

Ok, so now we got the notorious backstory out of the way and are aware that ‘The Heart is Deceitful Above All Things’ was not really written by a 19-year old former male prostitute, but instead, was the fictional imagining of an adult woman. The book still stands on its own as a literary work. Plus it’s got all the trappings of ‘underground cult’ appeal: teenage motherhood, prostitution, physical and sexual abuse, social and sexual deviancy, drug addiction, vagrancy, and road trips.

This doesn’t necessarily mean that reading this book was my cup of tea. White trash subculture has never really appealed to me, but I was always curious about the mythos of JT Leroy. Funny how it took me several years to read one of ‘his’ books, only to find out that Leroy was actually a fraudulent creation of a gutsy con artist. Still, I’m glad I read the book after the fact and with full awareness, as opposed to reading the book before the revelation, and then feeling like you’ve been had.

Book 15 – Loose Lips

By Claire Berlinski

What caught me about this book was its rather charmingly unconventional premise: Selena Keller, a disenchanted academic of Sanskrit literature, decides on a whim to join the Agency. This and the portrayal of an unlikely yet endearing romance between the jaded young protagonist and the consummate nerdy chubby guy can be construed as yours truly succumbing to new-wave chick lit. But the satirical insider-esque account of life in a CIA training camp puts this short novel in an unique genre of its own.

You get a really good idea of the kind of people who’d enlist in the CIA, who’d willingly undergo the rigorous screening and subsequent training at “the Farm”, and then keep a good chunk of their lives classified from family and friends. What’s more, the petty rivalries, unexpected betrayals and social paranoia amongst the cloistered Intelligence trainees provide a dark undercurrent of substance to this otherwise enjoyable and light-hearted read.

Book 14 – The Big Blowdown

By George P. Pelecanos

My final hand-me-down review, as Olman had already given a spot-on one back in January.

This is everything one could ask for in a meaty, hard-boiled novel: a stylish page-turner with a multi-layered back story, compelling characters and occasional bursts of sex, action and violence.

It’s also a richly detailed homage to D.C. when the city was coming of age in the 1930’s and 40’s. The part where the protagonist, Pete Karras, walks into a gangster-run bar in a black neighborhood looking for answers is enough of a reason to read this book.

I’m totally looking forward to reading the rest of the books in the Washington Quartet.

Book 13 – Never Let Me Go

By Kazuo Ishiguro

Yet another book pre-reviewed by a fellow 50-booker, Mount Benson, who pretty much summed up how I felt about it as well, thus saving me the bloody trouble (sigh of relief) for reviewing a book that was a compelling read, but didn't leave me going 'wow'.

This is the only Ishiguro book I’ve read, but from what I know of the author, he’s Japanese-born and British-educated, writes in English, so it makes for an interesting fusion of worlds. Although I agree that Ishiguro writes confidently and rather well, his prose does tend towards the stilted side, as pointed out by Mt Benson. But that's not necessarily a bad thing, as I feel it suits his stories about people with repressed, underlying emotions. I knew not to expect a true sci-fi or speculative fiction novel, rather, Never Let Me Go is more like a long-form first-person allegory.

Sadly however, I’m not very motivated (again) to write much further, so I’m providing this perceptive Guardian review, which I warn, discloses the true purpose of what the Hailsham students are being groomed for.

Book 12 – Diary: A Novel

By Chuck Palahniuk

Another book already reviewed by Olman, who does a good synopsis of the story, so I won’t bother. Like Olman, Diary is my first Palahniuk book and I went in not knowing what to expect, perhaps anticipating a kinetic and visceral style like Fight Club, or ridiculously shocking content like Haunted.

What I got instead was a compelling, and deceptively traditional, cult horror story told in a rather unusual style, a mix of first-person narrated by someone in a coma, and third-person told from the perspective of his wife. Story-wise, nothing really stood out for me at first, but I got pulled into Palahniuk’s bizarre universe pretty quick, so Diary ended up being a really good, quick read and made me want to check out other books by the author.

Because I’m feeling lazy and I’ve got a backlog of book reviews, here’s a very decent online review I found.

So now I’ve discovered PK Dick and Chuck Palahniuk. Reading begets more reading… I don’t know whether to laugh or cry.

Book 11: The Man in the High Castle

By Philip K. Dick

My first introduction to Philip K. Dick is this 1962 Hugo Award winner. And what a fantastic read! I assume the majority of you 50-bookers already know the premise since the novel was also reviewed by Olman and Buzby.

But for the few that don’t, TMITHC is basically an alternate history novel that takes place about 15 years after the Allies were defeated by the Axis in World War II. The U.S. gets divided east and west between Germany and Japan respectively, and the narrative consists of what life is like under Axis rule by weaving together multiple storylines and various interconnected characters. There is also a novel-within-a-novel thread that’s like another what-if to the existing alternate universe. This meta-novel, The Grasshopper Lies Heavy, influences many of the characters in TMITHC and is banned by the Germans since it’s written by an American who posits a world similar to ours where the Allies had won the war instead of the Axis.

Dick as well does a fascinating take on the portrayal of race relations, social hierarchies and politics in the context of a society under Axis rule. Some passages are disturbing in their candidness and 60’s era stereotyping. But Dick writes so thoughtfully and perceptively, that he draws you into his surreally logical yet aberrant universe.

Interestingly, not one race is portrayed in a very positive light. The Americans are meek and self-effacing, low in societal status, but not as low as the Chinese, Blacks or Jews. The Japanese are aesthetically and philosophically refined, yet obsessed with collecting artifacts from pre-war Americana. And the poor Germans, who are portrayed as crazed Nazis hell-bent on eradicating all undesirables, such as Jews and blacks, from the face of the earth. Much time is spent on how one race perceives the other.

One storyline deals with an American, Robert Childan, who runs a shop called American Artistic Handicrafts that mainly caters to a Japanese clientele. He gets invited to the home of a young & attractive upper-class Japanese couple who prepare an American-style dinner of steak and potatoes, steak being regarded as a luxury item by Americans.

Mrs Kasoura proudly declares to her guest: “Doing my best to be authentic… for instance, carefully shopping in teeny-tiny American markets down along Mission Street. Understand that’s the real McCoy.”

We then see how, during his visit, Childan’s initial delight turns to resentment, when he eventually sees past the Kasouras’ façade of sophistication. He thinks to himself:

“You cook the native foods to perfection, Robert Childan thought. What they say is true: your powers of imitation are immense. Apple pie, Coca-Cola, stroll after the movie, Glenn Miller… you could paste together out of tin and rice paper a complete artificial America. Rice-paper Mom in the kitchen, rice-paper Dad reading the newspaper. Rice-paper pup at his feet. Everything.”

As I mentioned earlier, disturbing in its candidness and stereotyping, but nevertheless perceptive and well-written! I also like this quote cuz you can see how Dick is a big influence on Chuck Palahniuk’s style.

Like in Olman’s review, I wholeheartedly agree Dick does an excellent job of writing the internal thought processes of his characters, especially with capturing the speech patterns of Asian-inflected English. One of my favourite characters is Nobusuke Tagomi, a representative at the Japanese Trade Mission in San Francisco, who becomes involved in a counter-intelligence plot to prevent a radical German faction from destroying the Japanese Home Islands with nuclear bombs.

Below are some particularly cool Tagomi quotes:

“This talk will fail, Mr. Tagomi thought. No matter what is at stake. We cannot enter the monstrous schizophrenic morass of Nazi internecine intrigue; our minds cannot adapt.”

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He held the dull silver triangle only. Shadow had cut off the sun; Mr. Tagomi glanced up.
Tall, blue-suited policeman standing by his bench, smiling.
“Eh?” Mr. Tagomi said, startled.
“I was just watching you work that puzzle.” The policeman started on along the path.
“Puzzle,” Mr. Tagomi echoed. “Not a puzzle.”
“Isn’t that one of those little puzzles you have to take apart? My kid has a whole lot of them. Some are hard.” The policeman passed on.
Mr. Tagomi thought, Spoiled. My chance at nirvana. Gone. Interrupted by that white barbarian Neanderthal yank. That subhuman supposing I worked a child’s puerile toy.
Rising from the bench he took a few steps unsteadily. Must calm down. Dreadful low-class jingoistic racist invectives, unworthy of me.

-----

Anyway, TMITHC is full of these awesome passages, and I can now see why Dick is such a popular and much-loved writer. However, the ending was a bit disappointing for me.

*** WARNING: SPOILERS AHEAD ***

There was an exciting bit of action before the denouement where Mr. Tagomi & friends take on a bunch of Nazi thugs, and they just kick ass yet maintain their cool. But the final resolution where one of the characters, Juliana Frink, finally meets the author of The Grasshopper Lies Heavy and they consult the I Ching, and discover that their own world is also fictional. This was an awesome concept to end the novel’s theme of alternate realities, but how it was executed felt rushed and not very well thought out. As a result, it didn’t really ring true to me, and didn’t provide me with a satisfying ending.

Book 10: The Curious Incident of the Dog in the Night-time

By Mark Haddon

Upon first glance, the premise rings very similar to Jonathan Lethem’s ’Motherless Brooklyn’ (scroll to the bottom) featuring an unlikely protagonist-detective with a mental condition determined to solve a murder.

‘Motherless Brooklyn’ has Tourette-afflicted Lionel trying to find out who killed his boss. ‘The Curious Incident’ has 15-year-old autistic math savant, Christopher, using his peculiar logistical skills to figure out who killed his neighbour’s poodle.

But where ‘Motherless’ plays like a straight-up homage to the hard-boiled detective genre, ‘Curious’ is more like a post-modern Hardy Boy. The dog-killer is actually revealed to Christopher in the middle of the story, so not much of a conventional mystery novel there. Ultimately, it’s a heartfelt story about a family dealing with the hardships of raising an autistic child which is told via the kid’s idiosyncratic POV and the odd quirky illustration.

Curious received much critical praise, was on a number of best-selling lists, and won a few awards, so you’ll find lots of online reviews if you’re interested in finding out more.

Book 9: Servants of the Map

by Andrea Barrett

Ok, I got a thing for stories about 19th century scientists. This collection of interlinked stories explores very similar themes as A.S. Byatt’s Angels and Insects.
Barrett’s storytelling deftly captures the scientific zeitgeist of the Victorian period, and her writing is tighter and crisper than Byatt’s, who at times has a tendency for long-winded prose. It's also worth noting that 'Servants of the Map' was a finalist for the 2003 Pulitzer Prize for Fiction

Although I enjoyed reading every single story in the book, I’m feeling lazy, so I’m going to provide the Salon review instead:

From salon.com:

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By Laura Miller

January 24, 2002 | In the 19th century Western culture was on an exhilarating and frightening cusp; thinking people were confronted with new scientific discoveries and theories that chipped away at their age-old vision of a static creation ordained and ordered by God. We can still feel tremors from that shift today, which is one reason why fiction writers like Andrea Barrett (and her British counterpart, A.S. Byatt) find the era so intriguing. Not all the characters in Barrett's engrossing new collection of linked stories, "Servants of the Map," are Victorians, but they're all enthralled with biology in one form or another. For them, the hunger for knowledge is as tempting and dangerous as any sexual passion, and sometimes they find that the two are strangely entwined.

The first and title story in the book concerns Max Vigne, a surveyor sent out to map the Himalayas in the 1860s. His journey to the fringes of humanity's domain is paralleled by his forays into a book given to him as a going-away present: Charles Darwin's "Origin of Species." Letters Max writes to his beloved wife, Clara, back home in England alternate with accounts of his gradual seduction by an unlikely siren: alpine botany. "When I am alone," he imagines writing to Clara when he doesn't dare tell her the truth, "with my notes and plants and the correlations of weather and geology and flora springing clear before me, I feel: This is who I am. This is what I was born to do."

For Max, the craving for knowledge, the forbidden knowledge of evolution, tugs at and frays the bonds connecting him to home and family. The same holds true for a character named Caleb Bernhard, in another story set 50 years earlier. Caleb takes a holiday from running the boys school he inherited from his creationist father in order to investigate fossils in Kentucky : He's guilty over betraying his father's beliefs, but unable to resist the allure of discovery. Later his widow, Miriam, will catch this craving like a virus and travel even farther afield, as will Rose, a contemporary biochemist in yet another story, a young woman distantly and obscurely related to Caleb.

Rose begins an affair with a girlhood crush, a friend of her parents who still works in the unfashionable area of "whole-animal biology." Rose herself, a rising star, studies a protein called ubiquitin, whose molecules "bind to other proteins and mark them for degradation." Her kind of science eclipses his (starving it of grant money and other resources) even as they both try to recapture in each other a bit of their lost past.

The relentless forward movement of science may sometimes seem a cold inevitability, but Barrett shows that it's driven by human desire. For her, the impulse to explore further and deeper, the need of each generation to surpass the one before, is a force often more powerful than love itself, one both beautiful and terrifying. Her characters bear the scars of its rendings and yet few of them can resist it. Most of the people in these six stories are connected in some way by blood (though you have to be observant to spot the links), and there's a suggestion that the curiosity that impells most of them is a secret way in which the past lives on even when we aren't aware of it. Even, in fact, when we believe we've cast it away.

Book 8: The Hunger

By Whitley Strieber

Went into the library looking for ‘The Wolfen’ and ended up with ‘The Hunger’. Didn’t realize the book came first (before the 1983 movie starring Catherine Deneuve & David Bowie).

I think people mostly know Strieber for ‘Communion’, which I never read. In any case, ‘The Hunger’ was really quite an excellent kick-ass fun read with a neat pseudo-scientific spin on the vampire mythos. It had everything I could ever ask for in a cool, modern bloodsucking novel. The central figure is the immortal Miriam, one of the very few left of her ‘kind’, who has managed to live from the dawn of ancient Egypt up to present day New York City (circa 1980).

Interestingly, the book actually never mentions the word ‘vampire’. Instead, Strieber posits these immortal humanoids are a separate species from the genus homo, having branched off from a common ancestor long ago. Able to pass as homo sapien, these creatures have lived under the radar of civilization, quietly preying on people and providing inspiration for supernatural legends. They are a contradiction because although superior in strength, lifespan, speed and intelligence, they are nevertheless a parasitic species that rely on human society for, not only food, but civilized comforts, finanical wealth and high culture.

The story weaves back and forth between the present and Miriam’s past lives in ancient Rome, the Middle Ages, and Napoleonic England. Much like our relationship with animals, Miriam depends on humans for nourishment and companionship, and always has a human lover in tow whom she has ‘transformed’. Her cyclical predicament is that, although her transformed partners live far longer than any normal human, they tend to rapidly deteriorate into shriveled up revenants after only a few hundred years! There are some horrifying passages when you realize what Miriam does with her expired zombie pets!

I realize the movie (directed by Tony Scott, who knew) had taken some liberties with the story and ending, but not the lesbian love scenes between Miriam and her new love interest, Sarah (she’s played by Susan Sarandon in the film). She happens to be a sleep researcher-scientist who may hold the key to human immortality, and who could potentially be Miriam’s newly transformed immortal girlfriend. Whereas the relationship-tension between Miriam and Sarah is actually quite engaging, it’s the hetero love scenes between Sarah and her boyfriend that are the cheesiest things in the book (like ugh! right out of a Danielle Steele book or something). But that’s my only complaint, the rest of the book kicks so much ass, I could easily forgive it.

There are also some good descriptions of New York City too. The story begins with Miriam and her pre-zombified current lover, John, off on a weekend trip stalking a teenaged couple in a sleepy Long Island town. They then return to their tricked out fortrified house in Manhattan's Sutton Place where there once was “a secret tunnel under the alley and garden, leading to a private dock on the East River, but the building of the East Side Drive had changed all that.” How cool is that?

What else. Strieber also does a commendable job of unifying the story with the running themes of hunger, need, and desire. It's this and the sympathetic and fascinating portrayal of the beautiful monstrous Miriam that elevates this book from just another vampire story. All in all, highly recommended!

The New York Trilogy

Book 5: City of Glass
Book 6: Ghosts
Book 7: The Locked Room

by Paul Auster

Originally published as separate books, the three novellas have since been bound together within a single volume known as The New York Trilogy. Since I have in my possession the 1st edition Penguin paperbacks, I’m listing them as separate entities (jackpot!). Unfortunately, I wasn’t able to find the original paperback covers of my 3 books on the web and thus, am making do with what's currently displayed.

Wikipedia’s plot introduction for 'The NY Trilogy' begins with: Ostensibly presented as detective fiction, the stories of The New York Trilogy have been described as "meta-detective-fiction"; "anti-detective fiction"; "mysteries about mysteries"; a "strangely humorous working of the detective novel"; "very soft-boiled"; a "metamystery"; "glassy little jigsaws"; a "mixture between the detective story and the nouveau roman".

If anyone’s familiar with Martin Amis, Don DeLillo, etc etc, ‘The NY Trilogy’ definitely wins the “meta-fiction” stamp of approval, as the author subtly (but more often not so subtly), insinuates himself into the narrative, and adds layers of internal/external references and clever complexity into each story.

But don’t let these Literary Labels fool you. Even if you find this meta self-reflexive stuff boring (as I sometimes do), or you don’t much like Auster’s later work, the stories in ‘The NY Trilogy’ are surreal, playful little gems. If you’re into detective fiction and postmodern lit, you’re in for a treat. But even if you tend toward the classic hard-boiled genre, and not so into the meta- self- post-whatever, the stories are short enough and fascinating enough to draw you into Auster’s strange and eerie world.

All three stories are distinct from each other, but thematically linked together, with a few of the same 'characters' weaving in and out. Like film noir, the stories start off in a harmless enough, even wisecracking, tone. But eventually the main character's identity unravels, and the protagonist sinks deeper n' deeper into whatever obsessive morass he got himself into in the first place, and ends up in a nihilistic hole he can't get out of.

The first volume, City of Glass, was adapted in 1994 into a critically acclaimed experimental graphic novel by Paul Karasik and David Mazzucchelli, which was subsequently published as City of Glass: The Graphic Novel in 2004. I saw some sample panels on the web and the images looked very compelling; I’d be very curious to check this out too.

Book 4: Catlore

by Desmond Morris

If you’re a cat owner/lover, you’ve probably observed plenty of fascinating feline behaviour and wondered how much of it's due to nature or nurture.

As you know, Morris is known (in book and TV form) for his work on 'The Naked Ape'. 'Catlore' is like its feline equivalent where it attempts to tackle some serious questions that cat lovers have been asking since the Dawn of Kitty Domestication.

The book is structured into many short and digestible chapters, where each chapter deals with such common feline questions as:

>> How Do Cats Purr?

>> Why Do Cats Sulk?

>> Why Do Cats Sometimes Reject Their Food?

As you can see, the chapter names can be quite entertaining in themselves, for example:

>> Why Do Cats Interfere When Their Owners Are on the Telephone?

>> Why Do Cats Suddenly Make Mad Dashes Around the House?

>> Why Are Cats Attracted To People Who Dislike Them?

>> Why Do Some Cats Hate Men?

The book also deals with some more serious issues, such as feline history and health:

>> How Has Domestication Changed the Cat?

>> What is the History of the Tabby Cat?

>> Is it Cruel to Have a Cat Declawed?

>> How Does Being Neutered Affect a Cat’s Behaviour?

What's more, 'Catlore' is the sequel to the original 'Catwatching', which is just as engaging and informative, if not more.

So, if you’re still curious about quirky or conventional, but seemingly inexplicable, feline behaviour such as:

>> Why Do Cats Eat Grass?

>> Why Do Cat’s Eyes Glow in the Dark?

>> Why Does a Cat Tear at the Fabric of Your Favourite Chair?

>> Why Do Cats Keep Crying to Be Let Out, Then Cry to Be Let In Again?

Then this book is also for you!