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I’m sure all you 50-bookers are already well acquainted as to what Fight Club is all about, mostly likely thanks to David Fincher’s ambitious 1999 movie adaptation (which I saw when it first debuted). I see now how faithfully Fincher captured the voice of this wacky cult writer, and then some. Like the flick, the book crackles and pops with Palahniuk’s brand of nihilistic humour and seethes with a tightly wound masculine energy.
Palahniuk’s sordid world of basement support groups and clandestine fight clubs; his endearingly deranged protagonists caught up in familiar themes of male identity crisis and individual worth in society; the twisted use of plot devices, such as a schizophrenic love triangle, provide the perfect boxing ring for Palahniuk to make his irreverent jabs and punches at the big C’s: Consumerism, Conformism and Corporations.
The fight clubs of men beating up men somehow evolve into an underground society of brotherly militants conspiring to wreak pure, unadulterated mischief upon society, and then of course, this becomes a global network of terrorist cells to bring down civilization as we know it!
Despite the constant lust for mayhem and anarchy, I still appreciated the post 9/11 relevance of Fight Club. You know that Palahniuk wrote it all in good clean fun. Though his voice calls for chaos, the writing itself is tight and spare, and the style articulate, distinct and most of all, not too self-consciously clever. All in all, an entertainingly excellent read!