By Ira Levin
Found this 1st edition 1967 hardback at a recent garage sale but was unfortunately missing the slipcover. I’d imagine it'd look like the very cool image shown here. Ira Levin had a real knack for tapping into the weird sexual politics of his time, creating bestselling novels out of tried and true themes.
Rosemary’s Baby uses practically the same template as The Stepford Wives (or more like, The Stepford Wives uses the same template established by Rosemary’s Baby, since it came out after in 1972). Instead of a town conspiracy bent on dehumanizing its women, we have a conspiracy of Satanists out to get one woman within an apartment building in Manhattan. All the familiar Levin hallmarks are there: the creepy underlying misogyny, the disintegrating marriage, the wife struggling to please her self-absorbed husband, the wife suspecting that her husband may not have her best interests at heart….
I don’t think I’m giving too much away here since everyone and their dog has seen the Roman Polanski film which, if I recall, is pretty faithful to the book. The book was an entertaining read, but it didn’t blow my mind or anything. The satanic ritual where the drugged out Rosemary gets it on with the Devil was memorably dark and creepy, yet also hilarious at the same time (she thought it was her husband but at the same time wondered why he felt huger than normal).
Even though I knew how the story was going to play out, I still wanted to find out how events would unfold. The narrative was nicely paced where everything seemed very normal at first, but as clues gradually got revealed, you felt that mounting sense of claustrophobic anxiety which the film also portrayed so well. Also in the book, more stuff happened after Rosemary gave birth unlike the abrupt ending in the movie version. Really made me want to watch the film again, since it’s been many, many years.
It's been several years and I managed to crack 40 one time, but have yet to read 50 books in a year...
Showing posts with label ira levin. Show all posts
Showing posts with label ira levin. Show all posts
Friday, September 16, 2011
Wednesday, September 08, 2010
Book 25 – The Stepford Wives
By Ira Levin
There’s already been two movies based on this novel by Ira Levin, who also wrote Rosemary’s Baby. Published in 1972, Levin captured the zeitgeist of his time with this dark, satirical thriller. It’s been nine years since Betty Friedan’s The Feminine Mystique came out and sparked a new wave of feminism in America. In 1969, Friedan helped organize the nation-wide Women's Strike for Equality and then in 1971, she helped found the National Women's Political Caucus.
So it’s not surprising that Levin references Friedan a few times in his novel. The Stepford Wives is also a horror story about the extent of what certain men are willing to do to prevent women from taking away what they feel is theirs by right. Although there is no outright hatred toward women expressed by any of the male characters á la Stieg Larsson, the undercurrent of creepy misogyny is definitely felt throughout the book.
When Manhattan couple Walter and Joanna Eberhart and their two children move into the quiet suburban community of Stepford, Connecticut, it seems they have timewarped back at least a decade. Walter and the kids seem to be happily adjusting to their new home, but for Joanna, there’s something about the Stepford community that isn’t quite right.
Hmm, could it be that the only thriving club in town is the men-only Men’s Association? How archaic is that? And why are all the housewives in the neighbourhood obsessive-compulsive housecleaners? And despite scrubbing floors well into the night how do they manage to look so perfectly coiffed and maintain their knockout figures? But what really makes Joanna suspicious is that none of the Stepford hausfraus are the least bit interested in forming a women’s club with her!
The Stepford Wives, in this day and age, does come across as a little simplistic and naïve. But I think the novel was quite successful when it came out, mostly because it hit the right note at the right time. The novel’s title even entered into the modern American lexicon where a Stepford wife is used to describe:
1.) a servile, compliant, submissive, spineless wife who happily does her husband's bidding and serves his every whim dutifully.
2.) a wife who is cookie-cutter & bland in appearance and behavior, like an attractive robotic doll devoid of emotion or thought.
Hmm, with the cultural phenomena of Japanese men vacationing with and even marrying their $16,000 silicone sex dolls, perhaps Levin’s novel is not so archaic after all! In any case, it was an enjoyable story with a nice pace, tight structure, good characterization and a nicely ambiguous ending. Perfect for a movie adaptation - I may even check out the 1974 version some day (not so sure about the newer one).
P.S. this 1973 Fawcett paperback edition was acquired at a neighbour's garage sale for a whopping 25 cents.
There’s already been two movies based on this novel by Ira Levin, who also wrote Rosemary’s Baby. Published in 1972, Levin captured the zeitgeist of his time with this dark, satirical thriller. It’s been nine years since Betty Friedan’s The Feminine Mystique came out and sparked a new wave of feminism in America. In 1969, Friedan helped organize the nation-wide Women's Strike for Equality and then in 1971, she helped found the National Women's Political Caucus.So it’s not surprising that Levin references Friedan a few times in his novel. The Stepford Wives is also a horror story about the extent of what certain men are willing to do to prevent women from taking away what they feel is theirs by right. Although there is no outright hatred toward women expressed by any of the male characters á la Stieg Larsson, the undercurrent of creepy misogyny is definitely felt throughout the book.
When Manhattan couple Walter and Joanna Eberhart and their two children move into the quiet suburban community of Stepford, Connecticut, it seems they have timewarped back at least a decade. Walter and the kids seem to be happily adjusting to their new home, but for Joanna, there’s something about the Stepford community that isn’t quite right.
Hmm, could it be that the only thriving club in town is the men-only Men’s Association? How archaic is that? And why are all the housewives in the neighbourhood obsessive-compulsive housecleaners? And despite scrubbing floors well into the night how do they manage to look so perfectly coiffed and maintain their knockout figures? But what really makes Joanna suspicious is that none of the Stepford hausfraus are the least bit interested in forming a women’s club with her!
The Stepford Wives, in this day and age, does come across as a little simplistic and naïve. But I think the novel was quite successful when it came out, mostly because it hit the right note at the right time. The novel’s title even entered into the modern American lexicon where a Stepford wife is used to describe:
1.) a servile, compliant, submissive, spineless wife who happily does her husband's bidding and serves his every whim dutifully.
2.) a wife who is cookie-cutter & bland in appearance and behavior, like an attractive robotic doll devoid of emotion or thought.
Hmm, with the cultural phenomena of Japanese men vacationing with and even marrying their $16,000 silicone sex dolls, perhaps Levin’s novel is not so archaic after all! In any case, it was an enjoyable story with a nice pace, tight structure, good characterization and a nicely ambiguous ending. Perfect for a movie adaptation - I may even check out the 1974 version some day (not so sure about the newer one).
P.S. this 1973 Fawcett paperback edition was acquired at a neighbour's garage sale for a whopping 25 cents.
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